Winnie
written & produced by George Moorey & Shane Young
artwork by Zariq Rosita Hanif
Winnie is my wife's maternal grandmother. She died over a decade ago but if she was alive today she'd be over 100 years of age.
I found some video footage of her chatting to my wife about her childhood and other memories as a young adult.
Winnie was a triplet and one of 17, but only 14 of them made it to adulthood and one of her triplet siblings died when he was 2. She grew up in the forest of Dean, back when the villages there were a long walk away from other towns and villages and were actually surrounded by woods.
We wrote in the song that she was married on VE day and there's an audio interview of her where she says she did, but according to my wife she was engaged on that day. She wasn't always so clear with her broad forest accent! She did meet her husband at the YMCA though, which is opposite the primary school my youngest son goes to and where my oldest son graduated from in the summer.
I have my own personal memories of Winnie. She was truly one of the most adorable old ladies I have ever met. She had a broad Forest accent and often pronounced words incorrectly, for example she would say "Burnigan" meaning "Birmingham". Every time I took her for a ride in the car for a visit to family she would without fail always comment that our car (at the time a pretty unspectacular and road worn Toyota) was a "nice smooth ride".
I remember her telling stories of having to sleep with her twin in the bath because there was no room in the bedrooms when people visited and stayed over. Another tale that sticks out is when she would go scrumping for apples in the nearby orchards. They were spotted and so the children ran away and all the stolen apples that she had put in her knickers fell out as she made her escape!
She was very fond of my wife, her grand-daughter so had a soft spot for me too and the feeling was mutual.
Winnie's song has a ragtime bluegrass vibe which my wife thinks is really suitable style that represents Winnie. I agree totally. Shane and I feel we've made something that sounds authentic. Lucky because it could have gone wrong very easily. It could have been a disastrous pastiche. The key was involving some really great musicians.
Winnie was one of triplets
Graced the Earth from 1917
They grew up with ten other children
In the wilds of the Forest of Dean
A pump in the yard for water
And the WC outside
They would strike up a lamp or candle
To handle the coal-black night
They had no time for flowers
There were cabbages and spuds to tend
No lack of work to fill the hours
At the house in Mile End
Beef dripping for thruppence
Stick an apple in yer knickers and go
Some sugar or some cheese,
Mr Hooper if you please
There’s many mouths to feed and funds are low
Winnie and eight sisters
Had to share a single room to sleep
At fourteen years they’d be out in the world
Working to earn their keep.
She began a life of service
As a housemaid in Cheltenham town
A pound a month and room and board
A lifetime away from tumbledown
When Winnie had a half day’s leisure
She’d watch the ladies on parade
Walking Pekinese for pleasure
Along the Cheltenham Promenade.
One day she joined the effort
When The Great War came to pass
Making TNT so the Jerries would flee
This gentle country lass.
She met a chap while dancing
At the YMCA
And the lovers married
On VE Day.
What a priceless romance
After all the gloom
Winnie’s voice a melody
To brighten any room
Winnie, the winsome
Winnie, the voice of cheer
Winnie bringing light to the dark and lonely night
Winnie, live on, my dear
Credits
Written & produced by George Moorey & Shane Young
Shane Young: Lead, Backing & Group Vocals, Drums
George Moorey: Acoustic Guitar & Group Vocals
Darragh Cullen: Bass Guitar & Group Vocals
Gustaf Ljunggren: Piano, banjo, clarinet, Group vocals
Charlotte Ayrton: Mandolin, Harmonica, Ukulele (?) Group vocals
Alison Eales: Accordion, Group Vocals
Sinead McConville: Group Vocals
Erica McCarthy: Violin
Studio band recorded by David Pick at FFG, Tewkesbury
Further instrumentation recorded by George Moorey and vocals by Shane Young
Mixed & mastered by George Moorey
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